Smut Clothing (with Sasha Grey)

May 02, 2009, 1:17pm

Smut Clothing spreads its unambiguous message via t-shirts, underwear, and tank tops. I’ll post a few of their photos to give you a feel of their look.

May 02, 2009, 1:11pm

Masocast

Podcast interviews about sex and kink by Axe. If you like the podcasts, do donate so he can keep it going.

May 01, 2009, 6:51pm

London based jewelry designer Solange Azagury-Partridge creates wildly original and metaphorical pieces. Her work treads the line between the mystical and the irreverent, fashioned with poetic depth and intricacy. Above, the Group Sex Necklace.

May 01, 2009, 3:29pm

We just came across a London-based design house that specializes in handmade corsets, clothing and accessories made of leather, satin, latex, and leatherette (for those of you who prefer to be leather-free).

Site: http://www.myspace.com/lacinglilith

Contact: [email protected]

May 01, 2009, 12:55pm

By is a belle.

I’m drawn to details, close-ups of skin, hands, touch.

April 30, 2009, 10:55am

By Ana Cuba.

April 29, 2009, 1:36pm

I read an interesting write-up of FGT that raises the theory of the male gaze.  The trouble with gaze theory is that it presumes that ‘female gaze’ must be a simple inversion of content.  What gaze theory doesn’t allow for is the likelihood that women don’t necessarily experience images the way men do. And then there’s this.

That said, I always enjoy a great photo of a man’s forearms, shoulders, and a good hard dick.

- debauchette

April 29, 2009, 1:09pm

Photo by Noah Kalina of the model Jenny, from his Undressed series.

April 29, 2009, 12:57pm

For those in New York, Bette Gordon’s 1984 film Variety will be showing today at 5pm as part of the Tribeca Film Festival.

In Bette Gordon’s pioneering indie film about voyeurism from a female perspective, a young woman (played by Sandy McLeod) works as a ticket taker in a porn theater, and her curiosity leads her to shadow a male patron. Variety radically subverts the classic narrative mode of presenting stories from the perspective of the male gaze (exemplified by such films as Michael Powell’s Peeping Tom and Alfred Hitchcock’s Vertigo), and in its place asserts the presence of female desire. Female director Bette Gordon subtly infuses the narrative with layers of ambiguity about the motives and movements of the female protagonist all the way through to the final image of the film.

Advance tickets are gone, but if you get there early, you might make it in.

April 29, 2009, 12:22pm